Media Reports
Supreme Master Ching Hai: Love And spiritual Poetry
Musician Pham Duy's Impressions
An Interview Between Vietnam Performing Arts
Brave Blind Dog Saves Drowning Girl
Banana Power Beats The Best
Wheel Of Fortune Given A Spin
Van Hoi Moi December 12, 1996 #178
Thu Phong (Orginally in Au Lac Language)
Love and spiritual Poetry
A brief introduction of Supreme Master Ching Hai: Supreme Master Ching Hai was born in
Au Lac. Since Her youth, She was already gifted in poetry and
literature which enabled Her to beautiful elements of life, the
upheavals of the country, the worldly attachments, the ups and
downs of life, the fragile hopes, the limits of indulgence and awakening
through the flow of melodious and gentle verses.
When She came of age, She went abroad to study and later was
married to a German doctor. Although Her married life was an
extremely happy one, She did not forget Her determination and
longing to search for the Truth. Supreme Master Ching Hai therefore left Her
rich and noble life to travel through many countries, as well as
many well known places in search of a master to teach Her the
Truth. Finally during a retreat in the Himalayas, She attained the
perfect enlightenment. Currently, She still continues Her travel
through many countires in order to help humankind and to spread
the Truth.
Following are some impressions of Thu Phong about Supreme Master Ching Hai's
poetry.
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In Au Lac poetry and music, there has been a relatively
large number of poems from spiritual practitioners praising
the Buddha and Jesus Christ, but no one has ever read their love
poems. Any verses with even a hint at a love story are usually
prohibited by religions.
Supreme Master Ching Hai has stepped outside of this tradition.
Recently, in the summer of 1996, She officially allowed the
recitation, printing and publishing of more than 60 poems
including both love and spiritual poems, which She wrote
before and while actively pursuing spiritual practice.
These poems are contained in five separate collections
accompanied by five CDs: " Vo Tu I
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Pham Duy is one of the most few well known musicians in the Au Lac's
world of music. As one of the special guests at the "Evening of Music and
Poetry -- Traces of the Previous Life and Love Songs", he expressed his viewpoints
concerning Supreme Master Ching Hai's poetry. At the same time, he introduced two of his newly
composed songs, using lyrics from two of Supreme Master Ching Hai's poems -- "A Lonesome Night"
(which he changed to "Lonesome") and "Existence and Nothingness". After the
concert, Pham Duy was also interviewed by Vietnam Performing Arts Radio in relation
to his two newly composed songs.
Following is his introduction of Supreme Master Ching Hai's poetry and the two songs at the
"Evening of Music and Poetry".
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Since the introduction of modern music about half a century ago,
Au Lac people have staged many different kinds concerts, both
inside Au Lac and abroad. First, there was the concert of love
songs where we can praise the sentimental, passionate and
sensual aspects of love. Then, there was the concert of heroic
music in which we can express our patriotism for our homeland
and countrymen. If there was ever a solemn concert about our
country's history, then there would also be a concert with
humorous music. Evidently, we know how to use music to nourish
mankind through the depiction of emotions like happiness, anger,
love and hatred.
However, up to now, we've rarely had the kind of concert with the
main theme being spiritual, just like the one we had today. As a
person who often composes spirtual music, as well as love
songs and popular music, I sincerely thank the organizing
staff for inviting me to participate in this concert and
to say a few words about the journey of those who have guided
us in the search for the land of eternity...
Today, I am glad to enter the world of Supreme Master Ching Hai's
poetry. I'm not going to repeat what my friend Tran Van An
already highlighted. Supreme Master Ching Hai's poetry represents a
mixture between worldly love and the purity of spirtual practice.
For me, Her poetry is not just a breaking of preconceived ideas
of a spiritual practitioner, It's also the poetry of the
spiritual journey, the journey of human life on the wave of the
spiritual path. The "baggage" is an open heart, the destiny is
the realization of Self and inner peace. It is the turning
away with no binding; it is the turning back very carefree. It
is the kind of poem called "Listening to the story of our past".
I also believe that Supreme Master Ching Hai's poems are very worldly and
yet also very spiritual, such as "I Feel Sorry For Him", "Like
The Clouds Up In The Sky", "Passing By His House", "The Man
Who Recreated Eden", et cetera. My colleagues, musicians and
composers like Le Dinh, Nhat Ngan, and Phuong Vu carefully
put these to music, and these musically improvised poems will
be presented to you through the magnificent voices of Khanh Ly,
Mai Huong, Le Thu, Duy Khanh, et cetera.
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For myself, I've chosen one of Supreme Master ching Hai's traditional
spiritual songs from "Traces of a Previous Life," called
"Lonesome" to compose music:
I felt lonely as I've never been so lonely
I felt sad as I've never been so sad..."
We Au Lac people who have been away from our homeland for over
twenty years, we are the "birds" who have twice been "lost in the
middst of an immense space" because not only are we lonely
in our fate as human beings, but we are also very lonely being "a
stranger in a foreign land". Supreme Master Ching Hai has extended Her
open arms, and I'm really not surprise at all to learn that
She has disciples all over the world. Indeed, in this
rendezvous such as tonight, in this musical gathering, even
though She has not preached anything, She is already with us
on the journey back to our youth; back to the legendary
land as mentioned in the poems.
You have heard Kieu Loan reciting this poem in the
beautiful traditional recital style. Now, you are going to
hear Duy Quang present this poem. Modern music has the
advantage over traditional poem recital in the sense that modern
musical melody is more flexible than the fixed form of poetry
recital. It can transform the atmosphere from "the loneliness
of the vast open sky" to "the happiness of holding hand in
hand in the night" much easier.
Ladies and gentlemen, on this last day of the old year, and in
the warm atmosphere of this "Evening of spiritual Music
Performance", I would like to invite you to listen to the song
"Lonesome": written by Supreme Master Ching Hai, music by Pham Duy,
and presented by Duy Quang.
Ladies and gentlemen: Duy Quang!...
I used to think that a human life is an endless journey, but
with every departure there is a return. With Supreme Master Ching Hai,
Nirvana is not a place of refuge, and with Luu Nguyen, the
Holy Land cannot make one forget his way home, therfore:
"One step forward we return to the original state
One step backward we go back to the world of dust!..."
For me, Supreme Master Ching Hai is always "turning away with no binding",
and always "turning back very carefree". With the same ideal
of harmonizing society and the individual human being, I have
written music for the poem "Existence and Nothingness" by
Supreme Master Ching Hai.
Ladies and gentlemen, once
again, Duy Quang!...¡¹ |
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(Originally In Au Lac Language)
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Q: Thuy Trinh and Khanh Hoang would like to welcome you.
PD: Good morning.
Q: Recently, Khanh Hoang and I, as well as many listeners, have
seen you in meetings with poet Supreme Master Ching Hai. I heard that you
have recently used Supreme Master Ching Hai's poems in your music.
Please explain if your composing style is leaning toward a
transition into spirituality. Is this true?
PD: spiritual music is more exact. You must understand that
I started writing pop songs, songs for the country of Vietnam
in the midst of its struggle for freedom and independence.
Thereafter, I switched to writing love songs; and of
course, at an older age, I turned to writing spiritual
songs. They are no longer songs that deal with society or
romantic love, but rather the inner humanity. Thus, it is
called spiritual music; and on the path of searching the right
poems for the songs that you've just mentioned, I met poet Supreme Master
Ching Hai.
Q: Oh! Was it a coincidence then?
PD: No, no it was not a coincidence at all. I have
researched, wanting to find people who are on the same
spiritual path as I am, who have poems, paintings or music which
could be a perfect match.
Q: Isn't poet Supreme Master Ching Hai the first one whose poems you've put
to music?
PD: She is not the first one. If we talk about spiritual poetry,
it has been around since the 11th century, over such a long
period of time. Even in the 21st century, or 20th to be exact,
there have been many poets who wrote spiritual poems. However,
since we've always lived in such a state...The country of Vietnam
has always lived through chaos. Therefore, no one ever had time
to catch a glimpse of these poems which I think are true
poems. For instance, the poem "The Cave Of The Golden Flowers"
by Pham Thien Thu, or the ten poems which I've composed into
ten spiritual songs. Even today, the people back in our country
-- the musical artists, writers, poets -- now tired of the war,
also turned to spiritual music. I want to refer to even the
Communist party members who also have written spiritual poems,
Tram Manh Hao for example; or a poet from the south, Nguyen Duc
Son, whose pen name is Sao Tren Rung (Star in the Forest), he
also writes many good spiritual poems. Then many such poems have
been written abroad. In the recent days particularly, I have
followed the activities of an organization with many members,
Supreme Master Ching Hai's. She has a lot of paintings that I like very
much. I have seen the inner beauty in her paintings. And of
course, I have read the collection of her poems, and it
seems that these poems have also been released in the forms of
CDs and cassettes.
Q: So what were your impressions when you used Supreme Master Ching Hai's
poems to compose your spiritual music?
PD: I would like to also point out that I am not the only one
who uses Supreme Master Ching Hai's poems for their music. My colleagues,
Mr. Nhat Ngan, Mr. Phuong Vu, also use her poems to compose
music.
Q: From the newspaper, I know that there is also musician Thu Ho.
PD: Yes, not to mention Le Dinh. Myself, I have composed two songs.
Q: What are the names of these two songs?
PD: One is entitled "A Lonesome Night" which I apologize for
changing the name to "Lonesome". The second song is
"Existence and Nothingness." Perhaps you can introduce "A
Lonesome Night" to the listeners. This song will be
sung by my son, Duy Quang, the music written by myself. There
are two songs; it could be Existence and Nothingness, it
could be A Lonesome Night or Lonesome. Let's listen to one of
them.
Q: We would like to invite you to listen to a spiritual song
composed by Pham Duy, lyrics from a poem by Supreme Master Ching Hai...
I felt lonely as I've never been so lonely
I felt sad as I've never been so sad
Like a bird searching for her cosy nest
Lost in the midst of an immense space!
My love O my love, please drop by for a visit
Hand in hand so the night would not seem long
Light up my soul with your eyes so unfamiliar
Enliven my life on the morrow.
My love O my love, lull me please into a dream
With innocent folk songs from the days of my youth
Lead me to a journey in the land of myth
My sadness ripen and fall like rain in a river
Tonight there is only the Muse and I
Tomorrow's far away, and the night's so long
I lay with my soul hidden in a mass of entangled hair
Hearing life falling on my shoulders.
You have just listened to the song "Lonesome". One of Supreme Master
Ching Hai's poems composes into music by Pham Duy. Now we would
like to come back to Pham Duy. Will you let our listeners know
if you are inclining toward composing spiritual songs from now on?
PD: Yes, I think an old man like me should not write love songs
anymore. Secondly, as for pop music, I feel that I am fairly
incompetent in dealing with the nowadays situations. Politically
speaking, I would not dare to write songs with a political
nature anymore. It should be left to the youth, the nowadays
heroes.
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Q: So, is spiritual music reserved only for the elderly or
religious people?
PD: No, I feel that it is not just for the elderly. Even the
younger generation are able to see the inner spiritual beauty.
In my time, for example, the younger generation were dragged
along by the current of life. If they didn't participate in the
resistance, they would not have any ideals. Today's youths are
living in a time of peace. In such a materialistic society as
America, there are many young people who also want to find
something more beautiful than just the society of "Dollars".
I think it is not just for the elderly. When I said elderly, I
was only referring to myself.
Q: Oh, no! What I meant was I enjoyed listening to the song
very much, but it was difficult to understand. And then the
second song which you referred to as "Existence and
Nothingness," truly I did not understand what is meant by
"Existence and nothingness". I don't know if you have time to
elaborated on this song?
PD: It would be redundant if I elaborate on its meaning. Just
listening to its lyrics we will understand. But I would like to
talk more about Supreme Master Ching Hai's poems which I've used to compose
music, as a result of which I have been able to see clearly
that...for example, the poem only talks of life in front of
our eyes. But the poet looks at it in a very spiritual way --
that if we step one step forward, or only one small step
backward, then our life would be changed. Now, let's listen to
that song. Then I will explain it later, only the musical
aspect, not the spiritual one which I would not dare at all.
Q: Yes, before listening to the second song, may I ask you one
more question about your opinion of spiritual poetry abroad as
opposed to those in the years prior to 1975?
PD: It can be said that spiritual poetry has not
changed. The spiritual songs that have been written since the
9th, 10th or 19th, 20th centuries are the same, whether
the spiritual poems in those times were sung by the people or
only recited by them. For example, in the poem " Existence
and Nothingness " by poet Supreme Master Ching Hai, I could see the
philosophies of the poets from 5th to the 7th century.
Therefore, if after hearing to the song "Existence and
Nothingness" which you listen to shortly, you are not moved,
then it means that I have succeeded. Listening to music,
especially Vietnamese music, one feels sad or frustrated.
Therefore, we then have to "Vow to quarter the body and drink
the blood of the enemy," or we have to love each other, to love
intimately. But by listening to spiritual songs that have been
composed from the poems of a spiritual nature you will not be
induced into the emotional tie. It will take us completely into
a state of existence-nothingness, nothingness-existence. That's
it! Explaining Zen should be like that.
Q: Existence means nothingness, nothingness means existence.
PD: Something like that. Therefore, it can't be explained
by logic; nor can its songs be listened by society oriented
people. Now, please listen to the following song "Existence
and Nothingness."
Q: While we wait, I would like to ask another question.
According to you, what is the trend of music being created by
the people living abroad?
PD: In my opinion, I am sure that it is not 'in the country'
or 'out of the country,' the modern music has had over fifty
years to take shape and to evolve already. For other
composers, potentially there has always been three trends which
I've already mentioned. Whereas the others who compose or not
compose spiritual music, I don't know much about them because I
myself do not have to research. If I do, it's just for myself
without having any information about the other musical works.
Q: Following is the song entitled "Existence and Nothingness".
We would like to invite our audience to listen to it -- lyrics
by Supreme Master Ching Hai, musical composition by Pham Duy...
One step forward we return to the original state
One step backward we go back to this world of dust!
Months and years go by, the same as it was
In this common world as by the Lotus Dais.
Such was the concept of Nirvana in my mind
Never knew I had been so wrong for such a long time!
At the moment of enlightenment,
I was confused with the notion of four elements
Heaven and Earth! It was only a long dream of mine!
Now I know the reason for Buddha's forty years of silence
And why Bodhidharma also didn't utter a word.
Then in the future where could I go for my liberation
Where would I find the mutitude to save them from reincarnation?
You've just listened to the voice of Duy Quang in the song
"Existence and Nothingness" with lyrics taken from Supreme Master Ching
Hai's poem, composed into music by Pham Duy. We'd like to come
back to Pham Duy. Please let us know if the two songs you've
just allowed us to listen to, which were "Existence and
Nothingness" and "Lonesome," have already been released in
CDs or cassettes?
PD: These two songs have already been recorded along with the
songs of other musical artists who also used Supreme Master Ching Hai's
poems as lyrics for their songs. I am sure that in about one
month, those ten songs, the ten spiritual songs, will be released.
Q: Therefore, in the future the trend of Pham Duy is to
transform spiritual poems into music. Hence, we will have a
chance to continue listening to poems and spiritual songs in the
form of musical creation by Pham Duy. Thank you for coming here
and sharing with us the poetic creations of poet Supreme Master Ching Hai
as well as the musical creations of Pham Duy. On behalf of the
radio station, we'd like to first wish you abundant wealth,
a happy and healthy life with your children and grandchildren,
and your continuation in creating beautiful music that
will always be treasured in the music circle.
PD: Yes, thank you, Thuy Trinh. Thank you, the station, and
thank you, all listeners.
Note: Musician Phuong Vu, who
used eleven poems of Supreme Master Ching Hai to compose his music, was also
interviewed by Vietnam Performing Arts Radio.
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Hong Kong Daily News November 12, 1996
Dogs are considered a human being's best friend. This was
proved when a blind dog saved the life of his owner -- a
teenager girl -- from the angry sea. This heartwarming story has
become the talk of the small seaside town in Oregon, USA,
where a family of four, together with their blind dog, Roman,
went to the coast for a day of fun.
The parents allowed their two children to only play on the
beach, while they went swimming. However, noticing that their
parents had moved out of sight, the two teenagers stole into the
shallow water to play. The tide comes in twice each day, and the
water is known to rise from several inches to several feet
deep very quickly.
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While the two teenagers were playing in the water, a huge
wave suddenly swept in. Joe, the younger boy was washed ashore
but his elder sister, Lisa, was pulled out to sea. When Lisa's
parents heard her panicky shrieks, it was already too late
for them to save her. Amazingly, Roman dashed straight down the
beach into the sea and swam frantically towards his
screaming owner. When he finally reached her she was on the verge
of drowning. He grabbed her shirt collar with his teeth, and
then desperately pulled her back to shore.
When Roman came ashore Lisa's face was already blue, so she
was immediately rushed to a doctor. According to the doctor,
she would have died if she had not arrive when she did.
Understandably, Lisa's family were extremely grateful to their
marvelous dog. To repay him for his act of courage, they
searched everywhere for a veterinarian who could restore
his sight. Unfortunately, they discovered that Roman's
blindness is incurable. So, the only thing that the family could
do for their life-saver was to treat him even better.¡¹ |
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By Sheree Dudenhoeffer
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By Gay McNamara
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